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‘Baaghi’ review: As plastic as Tiger Shroff’s over-bronzed body in the posters

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Baaghi is a slickly packaged empty vessel. The action choreography is striking, the locations are exquisite, the camerawork polished, the art design impressive, the cast well dressed. Scratch the attractive surface though, and you get a dated, cliched storyline that compartmentalises hero, heroine, villains and comedians in the way Hindi films of the 1970s and 1980s did.

The story begins in the menacing Bangkok den of a rogue called Raghav Shetty, who is on the lookout for Sia Khurana. Cut to Hyderabad, where she is shooting for a film directed by her Daddy, when the numero uno baddie’s goons abduct her. Martial arts expert Ronnie Singh is called in to rescue the damsel in distress. Ronnie and Sia have a past. Time for explanatory flashback.

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Futured

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